Reviews and shelf space sell books, and the book you labored over has too little of both. We run a press. PostShop is built for the part of book promotion no publisher can do for you: book reviews, library and bookstore shelves, and your social media.
The press is Silent Clamor Press, publisher of a Kirkus-starred story collection and of authors recognized with the Benjamin Franklin Gold Medal and Pushcart Prize nominations.
The PostShop pilot Ten places at $50 a month for your first 12 months, then $99. Five days free before anything is charged. See the pilot →Books fade when their authors go quiet. Send a photograph and a line from your day, approve it once, and it reaches every platform you are on, so the readers you have earned are still there when the next book comes out.
Reviews are what the next reader checks before buying. A library or bookstore that carries your book has bought it.
A reader tells you at a signing, or over coffee, or in a message, that they loved it. They mean to say so somewhere. By the time they are home, the moment has passed and the store’s review form is four taps deep.
Not every reader is ready to review on the spot. Your reader page gives them three other ways to keep your book moving.
They set a reminder for the day they expect to finish, in their calendar or by one email, and come back to your reader page when they are done.
One reader who loved your book has usually told a friend. Your reader page lets them send it on in one tap, so the friends who weren’t in the room can review it too, or ask their own library or bookstore to carry it.
Your reader page ends with your newsletter and social accounts, so the readers who loved this book hear about the next.
Text ADD and a phone number, and your partner, your sister, the friend who has read it twice can text REVIEW to your number too, and put your book’s QR code in front of everyone they meet. You approve every one. Each reader they reach can send the page on again, and so can the next.
Your dashboard names each library and bookstore your readers asked to carry your book, and how many times. A store your readers keep asking is a store worth walking into and introducing yourself.
Written for you from what readers did on your pages, the kind of writer you are, and the libraries and bookstores near you: one idea, and one next step for the next two weeks. Built from your own numbers, never a template.
What readers did last month, book by book: how many opened your page, went on to a store to review, asked a library or bookstore to carry it, or set a reminder to finish.
These are the real screens, for one of our own books.
Relay’s part is putting the right form in front of a reader while they are still with you, then showing you which libraries and bookstores your readers asked.
A reader page for each of your books where readers review it and ask libraries and bookstores to carry it, a number of your own to text, a printable sign and bookmarks, reader reminders, the libraries and bookstores your readers asked, a field note on the 15th and a report on the 1st. Start it before launch and advance readers can review on Goodreads and pre-order from the same page; for a book already out, it is a second launch. Five days free before anything is charged.
Your next book launches to whoever watched you write it.
Everything in Relay, and your social accounts kept up from what you send, so the answer to "is this person still writing?" is always yes. Send a photograph or a video, write your own line or start from a draft, and approve it once. It publishes across every platform you connect, and each month's report shows which kinds of post your readers responded to and how many readers your posts sent to your book.
Everything from here down is PostShopA photograph or a video from your day — the marked page, the walk, the proof copy. Text one word and a private page opens: nothing to install, no password to remember. Nothing in mind? Ask, and we come back with three things worth photographing in the next ten minutes.
Type your own line and we publish it word for word. Leave it blank and we send back a draft to start from — use it, change it, or replace it with your own.
One tap publishes it across every platform you have connected, each in the shape it wants. Change your mind later and a text moves it to any day up to a fortnight out. Nothing publishes until you have read it. That is not a setting; there is no publish step without it.
Everything after that is ours: the sizing, the ordering, the long caption and the short one, the video a still photograph can’t become on its own, all the platforms, and a record of every bit of it you can go back and read. When a post is about your book, one tick on the approval page puts a link to it at the end of the post.
A few hundred people who know your name and know you are still writing.
No single post builds that room. People get there by coming across you again and again — the marked page, the reading, the proof copy, an ordinary day at the desk.
Keep showing up, and your first book launch, or your next launch, is not the first time people hear your name.
Show your writing life. So you photographed the coffee mug. The laptop screen. The stack of library books. And you were right to feel that something had gone wrong — those posts felt forced.
The problem isn’t the mug. A photograph of a mug is a noun, and a story needs a verb. Nothing has happened to it. Add one line about what just happened — the chapter you rewrote again, the sentence that finally gave — and the same mug is worth posting.
If the line comes easily, write it. If it doesn’t, send the photograph on its own and we offer a draft to start from. Either way, every post starts from something you actually photographed — we do not build you a stock graphic or a generic post to fill a slot.
And when you do want something designed — a publication date, a reading, a cover reveal — you do not have to go and learn a design tool for it. Photograph the thing, then describe the announcement you want built around it: the words that should appear, the shapes and flourishes you want, how the whole of it should feel. The words come out as you typed them. It still begins with your photograph, it comes back to you before it goes anywhere, and one you turn down does not cost you anything.
A publisher can make your book available everywhere. It can’t be the reader who asks a library or bookstore to carry it.
We run Silent Clamor Press. We list our books with the wholesalers that libraries and bookstores order from, and we send them out for review. What we can’t do is stand beside you when a reader says they loved it. We can’t ask that reader’s own library and bookstore to carry it, because those requests have to come from the people who live there. And we can’t post from your accounts, in your voice, through the months between books. That work belongs to you and your readers. PostShop makes it simple: one text, one QR code, one approval.
M.C. SchmidtKirkus Reviews, starred
Julie Esther FisherKirkus Reviews
Laurel FerejohnKirkus Reviews
Mary Hester
Gerry Wilson
Hélène HéraultTranslated by Liza TrippSome of the books we publish. See the Silent Clamor Press catalog →
Connect only the ones you want, and add or drop one whenever you like. Available in 80 countries, including the United States, Canada, the United Kingdom, Ireland, Australia, New Zealand, every country in the European Union, India, the Philippines, Singapore, South Africa, Nigeria and Kenya — the full list.
They stay your accounts, and they stay exactly as usable as they were. You are granting permission to publish through each platform’s own process, not handing anything over — post yourself whenever you like, keep whatever you already run there, and withdraw our access from inside that platform’s settings in a few taps, without asking us first.
If you write the line, it publishes word for word — not polished, not rewritten, not improved.
Send a photograph without a line and we offer a draft to start from,
guided by how you actually write — including your newsletter, if
you have one, which we read from its public feed and never sign in to.
Use it, change it, or throw it away.
Drafts are prepared with AI, guided by what you have sent us and how you
actually write. They are a starting point, not authorship — you decide the final words.
Every post comes back to you before it goes anywhere. Approve it, change it, send it back, or drop it.
A reader page for each of your books, where readers review it and ask libraries and bookstores to carry it; which libraries and bookstores they asked; reader reminders; a field note on the 15th with one idea written for you; and a report on the 1st.
Start Relay freeEverything in Relay, plus publishing across every platform you connect, drafts when you want them, replies to your comments drafted for your okay, and a written monthly report. Nothing is an add-on.
Start PostShop freeNo contract, no minimum term. Move between plans or cancel from your own account. Five days is long enough to know whether it fits.
Buying for a writer? Give PostShop as a gift.
Available in 80 countries, including the United States, Canada, the United Kingdom, Ireland, Australia, New Zealand, every country in the European Union, India, the Philippines, Singapore, South Africa, Nigeria and Kenya — see the full list. Texting in works in the US, and library and bookstore requests reach libraries and bookstores in the US; reviews, the dashboard and everything else work in every country on the list.
What do you give a writer you’re sick of giving pens and audiobook credits to?
Give them PostShop. You choose the plan and the number of months, and you pay once. We email it to them on the day you pick, with a note from you. PostShop Relay is $29 a month; PostShop is $99.